Take This Waltz

Michelle Williams (Brokeback Mountain, Blue Valentine) plays the lead in “Take This Waltz” as a restless housewife dealing with a messy love triangle. Living what appears to be an ideal life with a loving husband (the lovable Seth Rogen), Margot (Williams) seems devoted until a handsome new neighbor (Luke Kirby) comes on the scene.  Although the playful marriage she shares with Lou reflects a friendship that evolved into a life together, Margot wants some more passion than a five-year marriage has to offer. Enter the hot new artist next door.

Steamy glances and flirting ensues. Williams is incredibly convincing as a wife in the midst of an emotional struggle. Should she stay in a relationship with her husband or have an affair with the newcomer who literally describes how he would ravish her?

The movie becomes pro-longed and slows as the viewer waits for the decision. Although the premise could be relatable, the audience soon tires of the desperate longing of Margot. By the time she makes her life-changing decision the audience is weary and feels sorrier for Lou.

The most surprising performance in this film comes from Sarah Silverman who plays Lou’s sister, Geraldine. As a recovering alcoholic the comic relief and the most cathartic moments of the strenuous plot come from her. Towards the end of the film Geraldine has a discussion with Margot regarding her choice, saying that there are always gaps in life but she shouldn’t go around trying to fill them with just anything and everything.

If this film makes a statement it is about the acceptance of one’s life and the gravity of making such a choice. The conclusion doesn’t wrap up all the loose ends or whether Margot will definitely stay with the decision she has made. But life doesn’t always have a clean ending either, does it?